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I think it’s great for two people to be together. That is a good number. I think, that to keep it alive though, you can’t spend every day together. It wears out the magic, Love means nothing to me if it’s not fortified with fierce, painful longing, brief explosive instances of furious passion and intimacy and then a sad parting for a time. In that way, you can give your life to it and still have a life of your own. I think some couples spend too much time together. They flatten out the potential for experience by constant closeness. Passion builds over time like steam. Let it rage until it’s exhausted and then leave it alone to let it build up again. Why can’t love be insane and distorted? How can it be vital if it has the same threshold as normal day-to-day experience? Why can’t you write burning letters and let your nocturnal self smolder with desire for one who is not there? Why not let the days before you see her be excruciating and ferment in your mind so on the day you go to the airport to pick her up, you’re nearly sick with anticipation? And then when desire shows the first sign of contentment, throw it back in its cage and let it slowly build itself back into a state of starved fury. Then when you are together, it all matters. So that when you look into her eyes, you lose your balance, so that when she touches you, it feels like you have never been touched before. When she says your name, you think it was she who named you. When she has gone, you bury your face in the pillow to smell her hair and you lie awake at night remembering your face in her neck, her breathing and the amazing smell of her skin. Your eyes go wet because you want her so bad and miss her so much. Now that is worth the miles and the time. That matches the inferno of life. Otherwise you poison each other with your presence day after day as you drag each other through the inevitable mundane aspects of your lives. That is the slow death that I see slapped on faces everywhere I go. It’s part of the world’s sadness that’s more empty than cold, poorly lit rooms in cities of the American night.

— Henry Rollins (via perfect)

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You want to travel with them. You want to see what they’re like going through airport security, on planes, in strange countries. You want to meet their families and charm them to pieces. You want to nestle into their childhood beds and look around in the dark at all their old posters. You want to see all the embarrassing photos of them with braces and socks pulled up mid-calf. You want to hear all the stories about their drunken nights under the bleachers and their best friend’s jokes. You want to read all their journals, see how they took notes in high school. Did they use pen or pencil? What color highlighter? You want to work with them, just to see them work. You want to go out with them. You want to make out with them in the bathroom. You always want to touch them; you want them to always want to touch you.
You find reasons to disentangle yourself from them; it’s only going to hurt later, you can tell already. You stay up way past your bedtime for them. You look at the clock and know their schedule. You neglect other people and other things, and beat yourself up about it. But it’s like they have a hold of your hands and your voice, and you don’t mind. It’s like you’re trapped in an hourglass; you know your lungs might fill with sand, but there’s something sensual and comforting about the grains sliding down glass walls and pooling around your ankles, your knees, your waist.
You like things about their appearance that the rest of the world may cringe at and call strange, less than perfect. Their broken, reshaped noses; their little teeth or the gaps in between them; the way they pull their hair; their narrow hips; their wide shoulders; the depth of their pores. You can laugh when funny things happen in bed. You usually want to be in bed with them.
You think they’re smarter, better, friendlier, fitter, happier, more productive than you are. You strive to be as much as they are, as good as they are. You try to cheat and figure out what it is they’re going to teach you, if they’re going to fall from grace, if you’re going to play a part for them that you never thought you’d play before. You try and pull patterns and threads of meaning from the conversation or the way they looked at you the first time you met; what they did, what they offered. An apple stolen from the bar. Notes from a guitar. Pitchers of free beer. Pieces of bark with writing on them.
You cherish snippets of them; paste them up in your memories like old faded scrapbooks clutched to chests for generations. Their skin glows black and white in your head. They star in the little short films of your life that sneak up on you when you’re not looking. Like the walk to the South End for dinner on a quiet corner. The feel of the sun beating down on you both at an outdoor concert. The way they ordered wine on your first date. The slow swing of a hammock near a lake. The back seat of their car.
You can see yourself with them in the future you can’t quite see. You build apartments outfitted with all the right kitchen supplies and the perfect bed with two nightstands, each piled with books and magazines. You wait for them patiently while they chase their dreams; they wait for you patiently as you chase yours. You sit in bed eating dinner late at night, drinking tea and wine and whiskey as you tell each other all about the chasing. You create adopted dogs and cats; you have awkward conversations about money; you put up with each other’s crap. You see what they look like standing at the end of a candle-lit aisle in your grassy front yard and wonder if you’ll make it to the other end to meet them or if they’ll just end up in the scrapbook clutched to your chest or flickering on the screen in your brain.

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by Marilyn Monroe

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by Marilyn Monroe

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